A land where sweetness is mixed with bitterness. Ireland as an object of longing in German literature on the example of Heinrich Böll's Irish Journal
Manuela Graf
manuela.graf@doktorant.ujd.edu.plJan Dlugosz University in Częstochowa (Częstochowa) (Poland)
Abstract
Published in 1957, Heinrich Böll's Irish Journal shaped in the minds of German readers an image of Ireland as a mysterious island where happiness and melancholy go hand in hand - an image that endures to this day. The work, a collection of loose short stories based on the author's travel experiences, shows the Emerald Isle as a land of contrasts and contradictory emotions, where the past blends with the present and where the mythical landscape and the apparent simplicity of life hide a second depth. The same is true of the journal itself, which, between descriptions of picturesque landscapes and Irish customs, also incorporates themes such as the omnipresent poverty, the inevitable emigration, the lack of prospects and the almost fanatical religiosity that plague Ireland. However, these extremes triggered in Heinrich Böll a longing for the originality and sincerity of the Emerald Isle, the absence of which he felt very strongly. With the publication of the Irish Journal, one man's personal longing became a mass desire of the German people to see and experience a land of "errors and truths". More than 60 years after its publication, Heinrich Böll's work continues to inspire generations of readers to travel with the promise of satisfying their longing for Ireland.
Keywords:
German literature, longing, Ireland, Heinrich Böll, Irish JournalAuthors
Manuela Grafmanuela.graf@doktorant.ujd.edu.pl
Jan Dlugosz University in Częstochowa (Częstochowa) Poland
Statistics
Abstract views: 48PDF downloads: 83
License
Copyright (c) 2022 Transfer. Reception Studies
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
Most read articles by the same author(s)
- Manuela Graf, Anxiety and liminality in the autobiographical work of Hugo Hamilton , Transfer. Reception Studies: Vol. 8 (2023): Anxiety and fear in contemporary German-language, Polish and Irish literature
Similar Articles
- Ivan ZYMOMRYA , The Dilution of Identity in the Artistic Concept of Emma Andijewska , Transfer. Reception Studies: Vol. 4 (2019)
- Agnieszka JEZIERSKA, Elfriede Jelinek's Newer Dramatical Texts and Their Long Way to the Polish Theater. A Gloss on the Theatrical Transfer , Transfer. Reception Studies: Vol. 2 (2017)
- Joanna Małgorzata Banachowicz, On the “Other Side” of the World of Imagination: An Artis-tic Dialogue Between Radek Knapp and Alfred Kubin , Transfer. Reception Studies: Vol. 4 (2019)
- Brigitta Helbig-Mischewski, “Ich komme aus Polen”: Migrant Literature as Coming Out– Wir Strebermigranten by Emilia Smechowski in the Context of Polish Migrant Prose in Germany , Transfer. Reception Studies: Vol. 4 (2019)
- Eliza Szymańska, New Germans ?– Reflections on Migration in Chosen Works by Female Authors of ‘Prose with Polish Roots’ , Transfer. Reception Studies: Vol. 4 (2019)
- Gabriela Jelitto-Piechulik, ‘Wise’ laugth as an educative measure. Ricarda Huch’s novella Teufeleien , Transfer. Reception Studies: Vol. 5 (2020)
- Agnieszka Palej, The Search for Roots: German-Polish Migrant Literature and the Dilemmas of Identity in the Works of Sabrina Janesch, Alexandra Tobor, and Matthias Nawrat , Transfer. Reception Studies: Vol. 4 (2019)
- Tobiasz JANIKOWSKI, The German-Polish „Potsdam” Border as Source of Imagination and Emotionalizing , Transfer. Reception Studies: Vol. 3 (2018)
- Anna SZYNDLER, Long Neglected, Now Widely Read. The Journey of Rafik Schami into the Polish Mainstream , Transfer. Reception Studies: Vol. 2 (2017)
- Joanna ŁAWNIKOWSKA-KOPER, Barbara Frischmuth's (Non-)Presence in Poland: The Presence and Reception of her Works in the German-Speaking World and in Poland , Transfer. Reception Studies: Vol. 2 (2017)
You may also start an advanced similarity search for this article.