Narrative structures of threat in "1000 Coils of Fear" ("1000 Serpentinen Angst") by Olivia Wenzel
Jolanta Pacyniak
Maria Curie-Skłodowska University in Lublin (Poland)
Abstract
In Peter Hogan’s book Affective Narratology, anxiety appears as a component of emotional systems alongside anger, affection, disgust, hunger and lust. In the context of literature, emotional systems determine the goals and narrative structure of stories. The auto-fictional novel 1000 Coils of Fear (1000 Serpentinen Angst, 2020) by Olivia Wenzel is analysed from the perspective of Affect Studies, focusing on the way anxiety is represented in the plot and how it determines the structure of the novel. Various forms of anxiety appear in the novel. The foreground is occupied by the threat of racism. The protagonist, like the author herself, was born in the GDR while her father comes from Africa. The anxiety is conveyed primarily in the form of dialogue, marked in the text with italics or capitalisation. The author presents it as interrogation or monologues. The study also examines how anxiety conveyed through the medium of literature induces certain affects in the reader.
Keywords:
Affect Studies, Olivia Wenzel, anxietyReferences
References
Colvin, Sarah. „Freedom Time: Temporal Insurrections in Olivia Wenzel´s 1000 Serpentinen Angst and Sharon Dodua Otoo´s Adas Raum.“ German Life and Letters 75 (2022): 138–165. Google Scholar
S. Fischer Verlage. Olivia Wenzel. https://www.fischerverlage.de/autor/olivia-wenzel-1009108. Google Scholar
Hogan, Patrick Colm. Affective Narratology. The Emotional Structure of Stories. Lincoln-London: University of Nebraska Press, 2011. Google Scholar
Ippolito, Enricco. „Sie hat nicht den Luxus, einfach zu schweigen.“ Review of 1000 Serpentinen Angst, by Olivia Wenzel. Der Spiegel, March 27, 2020. https://www.spiegel.de/kultur/literatur/1000-serpentinen-angst-von-olivia-wenzel-einfach-nur-krass-rezension-a-12f18d1f-a0d1-432b-94a1-b3aefe8e3813. Google Scholar
Kotrosis, Maia. How Things Feel. Biblical Studies, Affect Theory, and the (Im)Personal. Leiden- Boston: Brill, 2016. Google Scholar
Runions, Erin. „Prophetic Affect and the Promise of Change: A Response.“ In Jeremiah (Dis)Placed edited by Louis Stulman, and Peter Diamond, 235–242. New York: T&T Clark, 2011. Google Scholar
Smith, Matthew J. „Tragedy „Before“ Pity and Fear.“ In The Palgrave Handbook of Affect Studies and Textual Criticism, edited by Donald R. Wers, and Thomas Blade, 391–412. Cham: Palgrave Macmillan, 2017. Google Scholar
Wenzel, Olivia. „Coming-out als Nicht-Weiße.“ Interview. taz. https://taz.de/Autorin-Olivia-Wenzel-ueber-Identitaet/!5666451/. Google Scholar
Wenzel, Olivia. 1000 Serpentinen Angst. Frankfurt am Main: Fischer Verlag, 2020. Google Scholar
Authors
Jolanta PacyniakMaria Curie-Skłodowska University in Lublin Poland
Statistics
Abstract views: 0PDF downloads: 0
License
Copyright (c) 2023 Transfer. Reception Studies
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
Most read articles by the same author(s)
- Jolanta PACYNIAK, The Reception of works by Jenny Erpenbeck in Poland and in the German-speaking countries , Transfer. Reception Studies: Vol. 1 (2016): CIRCULATION OF GERMAN-LANGUAGE AND POLISH LITERATURE IN THE XXI CENTURY
Similar Articles
- Ewelina TKACZ, Beyond Genre: Fairy Tales Transformation in the Contemporary German-Language Literature (Exemplified By the Works of and Rafik Schami, Walter Moers, Elfriede Jelinek) , Transfer. Reception Studies: Vol. 3 (2018)
- Anna Pastuszka, The anxiety of the stranger and overcoming it. The cosmopolitan attitude of Ilija Trojanow , Transfer. Reception Studies: Vol. 8 (2023): Anxiety and fear in contemporary German-language, Polish and Irish literature
- Manuela Graf, Anxiety and liminality in the autobiographical work of Hugo Hamilton , Transfer. Reception Studies: Vol. 8 (2023): Anxiety and fear in contemporary German-language, Polish and Irish literature
- Szymon Gębuś, New "milestone" in the canon of contemporary comics research [Review of:] Stephan Packard, Andrea Rauscher, Véronique Sina, Jan-Noël Thon, Lukas R.A. Wilde, Janina Wildfeuer. Comicanalyse. Eine Einführung. Stuttgart: J. B. Metzler Verlag, 2019, 228 pp. , Transfer. Reception Studies: Vol. 7 (2022)
- Joanna ŁAWNIKOWSKA-KOPER, The borders of bourgeois class (in)decency. Marcin Kołodziejczyk's Dysforia. Przypadki mieszczan polskich in the context of Polish reception of Gabriele Wohmann , Transfer. Reception Studies: Vol. 3 (2018)
- Joanna Frużyńska, The bitter tears of unbearable children in the Polish version or the crying theme in the translations of Heinrich Hoffmann’s Struwwelpeter , Transfer. Reception Studies: Vol. 5 (2020)
- Gabriela JELITTO-PIECHULIK, Reception of the work of Ricarda Huch in Poland , Transfer. Reception Studies: Vol. 1 (2016): CIRCULATION OF GERMAN-LANGUAGE AND POLISH LITERATURE IN THE XXI CENTURY
- Marta KAŹMIERCZAK, What Can the Intertextual Paradigm Yield to Translation Studies - An East European Perspective , Transfer. Reception Studies: Vol. 2 (2017)
- Ewa Górska, Dorota Sośnicka, ‘Refugees’ nightmares’: Motives of escape and anxiety in Gertrud Leutenegger’s novel "Späte Gäste" (2020) , Transfer. Reception Studies: Vol. 8 (2023): Anxiety and fear in contemporary German-language, Polish and Irish literature
- Joanna Waronska, Laughter in the comedies of the Skamander environment. Functions and types , Transfer. Reception Studies: Vol. 5 (2020)
You may also start an advanced similarity search for this article.
