Contemporary Drama and Theatre in German- -speaking Countries in a European Context. Report on the Project and the International Academic Conference Spaces of Humanity: Contemporary Drama and Theatre for a Sustainable Future – Spielräume des Humanen: Geg
Agata Mirecka
agata.mirecka@up.krakow.plUniversity of the National Education Commission in Kraków (Poland)
Abstract
This text presents the findings of an international interdisciplinary research project conducted at the Institute of Neophilology of the University of the Commission of National Education in Kraków, Poland. The project addresses contemporary issues pertinent to the understanding of German-language drama and theatre within a European context. Specific focus is placed on the matters discussed at the academic conference held in October 2024, which addressed the topic of human beings/humanity (humanum) in contemporary literary drama and theatre in the context of the issue of sustainability.
Keywords:
drama, theatre, scientific project, Poland, conference, networkingReferences
References
Chalmers, Alan F. Czym jest to, co zwiemy nauką? Translated by Adam Chmielewski. Wrocław: Wydawnictwo Siedmioróg, 1997. Google Scholar
Tendenzen der zeitgenössischer Dramatik, eds. Paul Martin Langner, and Agata Mirecka. Frankfurt am Main: Peter Lang Edition, 2015. Google Scholar
Raumformen in der Gegenwartsdramatik, eds. Paul Martin Langner, and Agata Mirecka. Frankfurt am Main: Peter Lang Edition, 2017. Google Scholar
Zur Funktion und Bedeutung des Chors im zeitgenössischen Drama und Theater, eds. Paul Martin Langner, and Joanna Gospodarczyk. Frankfurt am Main: Peter Lang Edition, 2019. Google Scholar
Authors
Agata Mireckaagata.mirecka@up.krakow.pl
University of the National Education Commission in Kraków Poland
Statistics
Abstract views: 0PDF downloads: 0
License
Copyright (c) 2024 Transfer. Reception Studies
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
Similar Articles
- Paulina KASIŃSKA, The reception of The Zone of Interest by Martin Amis in the English, American, German and Polish literary and critical circulation , Transfer. Reception Studies: Vol. 3 (2018)
- Aleksandra JACKIEWICZ, In search of a reaffirmation of one’s own poetic voice through translation: contemporary Polish poetry translated into Spanish , Transfer. Reception Studies: Vol. 3 (2018)
- Małgorzata TEMPEL, The Image of Germany in Thomas Mann's Lecture, "Germany and the Germans," and in its Translations , Transfer. Reception Studies: Vol. 2 (2017)
- Eliza Szymańska, New Germans ?– Reflections on Migration in Chosen Works by Female Authors of ‘Prose with Polish Roots’ , Transfer. Reception Studies: Vol. 4 (2019)
- Justyna Radłowska, Bonifacy Miązek as a Historian of Poland’s Literature , Transfer. Reception Studies: Vol. 4 (2019)
- Monika Wolting, Matthias NAWRAT , Enduring Ambiguity: What Is European Literature? Matthias Nawrat in Conversation with Monika Woltig , Transfer. Reception Studies: Vol. 4 (2019)
- Joanna FRUŻYŃSKA, Intercultural and intersemiotic transfer of humor. The children novel by Erich Kästner «The 35thof May or Conrad’s Ride to the South Seas» in the graphic design of Bohdan Butenko , Transfer. Reception Studies: Vol. 3 (2018)
You may also start an advanced similarity search for this article.
