Die Rolle intersemiotischer Elemente in der Liederübersetzung am Beispiel von The Dresden Dolls‘s Coin-Operated Boy

Anna Mach

a.mach2@uw.edu.pl
Universität Warschau (Poland)

Abstract

Im Beitrag wird die Rolle intersemiotischer Elemente in der Liederübersetzung am Beispiel der polnischen Übersetzung von Coin-Operated Boy von der Band The Dresden Dolls erörtert. Anhand außertextueller semiotischer Codes wie Musik, Performance, visuelle Aspekte und kultureller Kontext wird der Prozess der Bedeutungsrekonstruktion dargestellt. Die multimedialen Bedeutungsträger spielen in der alternativen Musik eine besondere Rolle. Dies trifft auf Punk Cabaret zu – jenes Musikgenre, das sich einer spezifischen neuviktorianischen, zirzensischen, possenhaften und Kabarett-Ästhetik bedient, wobei der performative Aspekt genauso wichtig wie der Text und Musik ist. Das besprochene Lied wird durch die Musik und einen Videoclip ergänzt. Im Beitrag wird untersucht, wie diese Bestandteile bestimmte Übersetzungslösungen beeinflussen.


Schlagworte:

Liederübersetzung, intersemiotisch, Punk Cabaret, The Dresden Dolls, Amanda Palmer

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Veröffentlicht
2024-11-30

Cited By / Teilen

Mach, A. (2024). Die Rolle intersemiotischer Elemente in der Liederübersetzung am Beispiel von The Dresden Dolls‘s Coin-Operated Boy . Transfer. Reception Studies, 9(1), 191–209. https://doi.org/10.16926/trs.2024.09.08

Authors

Anna Mach 
a.mach2@uw.edu.pl
Universität Warschau Poland

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